Articles

“Mining the Virgin Mountain: Personifying the Earth in Colonial Potosí” Environmental Humanities (forthcoming).

“Clashing Globes: Images of the Earth and Heidegger’s Thinking of Modernity.” Environment, Space, Place 15.1 (2023): 1–31.

“Worlds Apart: Prehistories of the Overview Effect.” Kunstlicht 41.2/3 (2020): 19–24. Special issue: “On Maps,” edited by Anna Sejbæk Torp-Pedersen.

“Seeing the Self in the World: Attending to Banal Globalism in Urban Visual Cultures.” Journal of Urban Cultural Studies 5.2 (2018): 249-254. Special issue: “Urban Worlding,” edited by Carolyn Birdsall and Simone Kalkman.

“Drawing Like a State: Maps, Modernity and Warfare in the Art of Gert Jan Kocken.” Environment and Planning D: Society and Space 35.2 (2017): 319–338.

“The Shock of the Whole: Phenomenologies of Global Mapping in Solomon Nikritin’s The Old and the New.” GeoHumanities: Space, Place, and the Humanities 2.1 (2016): 220–237.

 Book chapters and introductions

“Introduction: Interrupting Globalisation: Heterotopia in the Twenty-First Century.” In Heterotopia and Globalisation in the Twenty-First Century (Routledge, 2020), pp. 1–18. Coauthored with Daan Wesselman and Irina Souch.

“Being in the Globe: Hieronymus Bosch’s The Garden of Earthly Delights at the Fringes of Modern Globalism.” In Other Globes: Past and Peripheral Imaginations of Globalization (Palgrave Macmillan, 2019), pp. 63–84.

“Introduction. Other Globes: An Introduction to Past and Peripheral Imaginations of Globalization.” In Other Globes: Past and Peripheral Imaginations of Globalization (Palgrave Macmillan, 2019), pp. 1-39. Coauthored with Irene Villaescusa Illán and Esther Peeren.

“Cartography at Ground Level: Spectrality and Streets in Jeremy Wood’s My Ghost and Meridians.” In Visualising the Street: New Practices of Documenting, Navigating and Imagining the City, edited by Judith Naeff and Pedram Dibazar (Amsterdam University Press, 2018), pp. 137–160.

Catalog essays

“Mons A Part: Prehistòries de l’effect de la Visió des de Dalt/Worlds Apart: Prehistories of the Overview Effect.” (Reprint in Catalan translation.) In Apunts Sobre la Impossibilitat de la Imagte del Món [Notes about the impossibility of the image of the world], edited by Roc Domingo, Maite Villafranca, and Walmor Correa. Translated into Catalan by Brian Caffery. (Lleida: Institut D’Estudis Ilerdencs, 2019), unpaginated.

“Χωριστοί Κόσ-οι: Προϊστορίες της Πανορα-ικής Ενύ9ωσης/Worlds Apart: Prehistories of the Overview Effect.” (Reprint in Greek translation.) In Non-Catalog: 60th Thessaloniki International Film Festival, edited by Orestis Andreadakis. Translated into Greek by Rosemary Tzanaki. (Thessaloniki: Thessaloniki Film Festival Publications, 2019), pp. 64–79.

“On the Untimeliness of Alison Hildreth’s Printmaking 1974–2014.” In Alison Hildreth, Printmaking 1974–2014 (Berkeley: Edition One Books, 2015), pp.1–6.

Book reviews

“Veronica della Dora, The Mantle of the Earth: Genealogies of a Geographical Metaphor.” Imago Mundi, 74.1 (2022): 124–125.

“James Elkins, What Heaven Looks Like: Comments on a Strange Wordless Book.” Visual Studies 34.3 (2019): 305–306.

“Miriam Meissner, Narrating the Global Financial Crisis: Urban Imaginaries and the Politics of Myth.” Urban Studies 55.15 (2018): 3492–3499.

“Amy J. Elias and Christian Moraru, editors, The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century.” cultural geographies 25.2 (2018): 376.

“Jason Weems, Barnstorming the Prairies: How Aerial Vision Shaped the Midwest.” Visual Studies 32.2 (2017): 198–200.

“Harriet Hawkins, For Creative Geographies: Geography, Visual Arts and the Making of Worlds.” AntipodeFoundation.org (2014): 1–5.

“Mark Dorrian and Frédéric Pousin, editors, Seeing from Above: The Ariel View in Visual Culture.” Visual Studies, 30.1 (2014): 112–113.

“Nanna Verhoeff, Mobile Screens: The Visual Regime of Navigation.” Visual Studies, 29.1 (2014): 122–123.

“Karen O’Rourke, Walking and Mapping: Artists as Cartographers.” Cartographica, 48.4 (2013): 337–338.

“Kimberly Jannarone, Artaud and His Doubles.” New Theatre Quarterly 29.3 (2013): 305–306.